Showing posts with label stories. Show all posts
Showing posts with label stories. Show all posts

Sunday, 11 November 2018

My Mother Left me for a Tree

The Word For Freedom


A collection of 24 short stories celebrating a hundred years of women’ suffrage, from writers inspired by the suffragettes and whose stories, whether set in 1918, the current day or the future, focus on the same freedoms that those women fought for so courageously.

Through this anthology Retreat West Books is proud to support Hestia and the UK Says No More campaign against domestic abuse and sexual violence.

 
Reviews:

Portobello Book Blog

The Literary Shed

The Literary Sofa

Hair Past a Freckle

Write Right

My Reading Corner

Books, Life and Everything



 


My Mother Left Me for a Tree is a short story exploring how feelings around abandonment may not concern themselves with how loss occurs - whether someone dies, leaves or isn't emotionally present. And how/if these feelings manifest may not be as expected.

The Word for Freedom is available  to buy in kindle and paperback. Proceeds go to Hestia who  support over 9,000 adults & children in crisis across London every year with their experiences of domestic abuse, modern slavery & mental health needs.

Sunday, 21 January 2018

On Writing: 5 Short Stories


Words: 100
Theme/Genre: Flash fiction on memory 
Why? Poor memory, recent Alzheimer developments and the use of memory for writing bring my fears to mind. The challenge was to write those fears in 100 words.
Published by: Friday Flash Fiction


Words: 360
Theme/Genre: Flash fiction fairy tale on the struggles of individuals V's society
Why? My three brother's were the inspiration for this. I tried to capture something of their individual talents and characters and their unifying and universal quests as men.  
Published by: Flash Flood Journal
Rusted


Words: 500
Theme/Genre: Short story addressing the set theme 'Curiosity'. 
Why? Initially 'curiosity killed the cat' came to mind, followed by the over -used Schrodinger's cat. I veered clear of cats turning instead to the fear and excitement of the unknown, from the curiosity shop window to that of a relationship.
Published by: Dear Damsels

Rusted

Words: 479
Theme/Genre: Flash fiction addressing the theme 'Punk'
Why? Relationships can get a little rusted, pins can hold  anything together and rebellion comes in many guises.


 Paper and Ink Literary Zine (2017, p. 17)

Under the Gaze of the Lion

Words: 710
Theme/Genre: Short story
Why? Prompted by visits to The Last Tuesday Society in London's East End and Ireland's Fota Wild life & Conservation Park in Cork.
Published by: Ellipsis Zine

Saturday, 11 April 2015

Real Life and Fiction

Reading Paul Auster's The Red Notebook brought to mind a worry I've had about my memory and its limitations and how this could affect my writing and my life. Maya Angelou's remembrances in I Know Why The Caged Bird Sings are remarkable, as are Paul Auster's recollection of coincidence and episodes experienced by or told to him in his life, recounted in The Red Notebook.

Even if I had the writing skills of Angelou or Auster, I would not be able to put down remembered events without remembering them. Auster tells of the time he met a sporting hero of his, when he didn't have a pencil for autograph and how he's kept one on him since and how this is linked to why he became a writer. I have, over the years tried to capture memories, in photos, videos, scraps of paper, backs of envelopes, journals and little notebooks carried in pouches round my neck and more recently on my phone and online.

But my past memories are those elusive clouds that keep dissipating with the sunshine of the now. I wonder how to find them and realise I have to find the people who shared them and ask them to share them with me again. Memories such as those I only seem to have the titles for like these few that come to mind now:
  • Cahirmee Fair
  • 20 Sweet Briar Lane
  • The whistle call home
  • Cutting the peat
  • Building tents against the hedge
  • Cabbage, rhubarb & roses
  • Playing in unbuilt houses
  • Summer, sandals and bare feet
  • Pennies on the railway line
  • The turf mountain
  • Robins in the hedge
  • Waiting at the gate
  • The pottery shed in the back
  • Rabbits hanging outside the outhouse
  • No whitethorn in the house
  • The blue suitcase
  • The wrong church
  • The blacksmith
  • The milk churn, wringer and latch on the door
  • Rounders on the 'green field'
  • The gunman in the shop

Nothing really seems noteworthy (apart for, perhaps the last)  but all remembered. Why? Why do these events in my life stand out over others. I know that with some memories it's the adrenaline but for others its the association. Some feeling or other that stuck with me. As a writer my job is to unpack that and turn a feeling, event or remembrance into a story. Not an autobiography - a story.

There are only three reasons for anyone to write an autobiography:
  1. The person is extremely famous and/or talented in their field.
  2. The person has had an extraordinarily interesting life.
  3. The person can write so well that however ordinary their life, their writing can raise it to the extraordinary or at the very least be interesting to the reader.
So the rest of us will instead make do and take some elements of our experience and try to weave them into a piece which we hope tells a story, If we can remember, that is.

Wednesday, 11 February 2015

Love: Manner and Mind

It's easy to say it from the pulpit or counselling session or the hippy filled field at the festival. That we should treat people with love and unconditional positive regard (Rogers, 1956). Its certainly easier to say it than actually doing it all the time, not just when we have enough energy or opportunity or resources and don't feel threatened or under pressure of time or lacking in confidence.

It's an ideal I try to live up to and constantly fail at, but in my trial and error I'm at least marking my place in the book of the person. Sometimes getting through a few lines, othertimes a few pages and eventually whole chapters are read. Those people nearest to me have the best read books. Those futher away are sometimes only acknowleged by a review from someone else or I just get to read the blurb. Many many people, don't even exist in my library. They are in far away libraries, in foreign languages and may never see the light of my day.

The people's books that I do come across, have covers I judge them from. I do sometimes decide I like them on first impressions, by just a few lines. Some books I don't get past the first chapter. 

Most people's books are full of short stories which compile into a series, and a chronological life narrative. I can be part of one or more of their stories and they can be part of mine. But we never see the whole book. And how can you tell if you love a book until you get to the end? You can't - the end might change everything. But with people, you can never know the end. With books, you can however, not necessarily like a particular book or chapter or plot point or line but you can still love reading. I love reading. I love people. That's where I start. At least it gives them a chance.

A man came to the door of our centre, asking for money or food. He didn't want to have to steal, he said. I gave him food. I felt a twinge of concern that he might be manipulating me by mentioning stealing. I was waiting for him to go futher. To ask for money again. He didn't. He then asked if I could help him with another thing. I thought, here goes, what's he going to ask for now? He shuffled his feet and searched the inside pocket of his jacket. What's he looking for, I wondered, is he going to try to con me? He continued to search. It's in here somewhere, he said. He pulled out bits of paper. I have a picture, he said. It's my dog. I have a picture here somewhere. He found it. It was a folded battered picture of a dog. His dog. His missing dog. He was desperately looking for his lost dog. After food, it was his next priority. He was lost without his dog. 

I didn't see this plot twist. I wasn't ready for his story. I hadn't expected this character development. There was a lump in my throat. I was glad that I had behaved in a loving manner even if my mind wasn't quite there, that I had a chance to catch up. To read a little more. And not just judge him by other books I'd read like his.

I took the photo and made 10 x A4 photocopies with space to write a message, to put up around the area he'd lost his dog. He was delighted. Thank you, he said, Bless you. For the food, he said, but especially for the help to find my dog. He was choked, I was choked, for a brief moment in time we were both on the same page.

It's not always easy to think of and treat people with love and unconditional positive regard but its probably how our stories get to have happy endings. 

 
Rogers, C. (1956). Client-Centered Therapy (3 ed.). Boston: Houghton-Mifflin.

Tuesday, 3 February 2015

Perspective: Sharing Stories

Graffiti on 6th St, Williamsburg, New York
Working with some young people with complex needs this week on their speech and language skills I said we'd be talking that day about ourselves, saying something we liked and something about what we were like as people.

I thought about what I was going to say that told them something about me, as an example.

I started with the first thing that came to my mind. 'I like stories. I like stories in books and movies and stories people tell me and I like making videos of stories and writing stories.'

It was only then I put together my love of reading and going to the movies and writing and talking to people and making videos and saw the link with them all.

In an interview with Philip Pullman when he was asked why he believed stories were so important, he said it was because:

'they entertain and they teach; 
they help us both enjoy life and endure it.'

He went on to say:

'After nourishment, shelter and companionship, 
stories are the thing we need most in the world.'